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PE: 10 tips and tricks not very known about PS10 useful and not very known Photoshop tricks
1. Saving your .psd with all layers hidden makes a smaller file compared to saving it with all layers visible.
2. You can use the Crop Tool to quickly increase the canvas size of an image by holding down Ctrl + Alt whilst dragging the Crop Tool outside the current canvas.
3. If you want to see only one of your layers at a time, hold down Alt whilst clicking the eye icon of the layer. (do it again to show all layers again)
4. Holding down Alt while in a dialog box turns the Cancel button into a Reset button, so you can reset the values back to default.
5. If you want to just quickly check a very heavy .psd file, you can hold down Shift + Alt while clicking the Open button. This way Photoshop will open a flattened version of the file.
6. You can change the gray background that surrounds your image with the Paint Bucket Tool, just hold down Shift and make click on the background.
7. Not a very unknown tip, but if y
PE: CSS3 101 - Introduction
Hey there Devious CSSkinners!
First off, hover over the Title and Stamp to see some snazzy effects. That's the kind of stuff that CSS3 allows users to play around with. As I had been an Alpha Tester on devBUG, we had a few CSS3 privileges to test in Journal Skins in which several deviants had asked me "How did you do that?" and "Please share the code so we can learn" so I've been meaning to give a few lessons on CSS3 since forever and projecteducate has given me the opportunity to do so
These are the Topics that will be covered this week:
May 27th - Introduction
May 28th - Color Gradients
May 30th - Pseudo-elements & Pseudo-Classes
May 31st - Transition Animations
June 2nd - Conclusion
I'll try to be as simple as possibl
Challenge me, art-wise!It took a while to realize that, no matter how pretty the last few sketch-dumps where, I wasn't really learning anymore.
Sometimes a large user-base just feels like pressure. And pressure makes it feel like you can't afford to fail anymore. And you'll stay inside your comfort zone. And with result. Last years improvement was close to non-existent. But I realize now that staying in my comfort zone will not get me anywhere.
The lack of improvement and recent login issues made me think. So I went back at where I came from. I took a pencil and started sketching again. Real, ugly sketches, with a lot of wobbly lines and such. Anatomy, dogs, and various other things. I realize now; I want to keep this up. Really. I want to draw things that are (slightly) out of my comfort zone, in order to learn.
And I want you
May 2013 - 31 day PAINTING challenge!UPDATE:
This challenge was certainly a great experience for me. I made some mistakes that cost me a lot of time, for example sometimes I spent 5 hours on a piece that turned out wrong and instead of moving on I took a new paper and tried to make new work within the remaining hour or so. During second week, I've decided to keep the scrap works a part of my challenge, even though I won't publish them they still appear as a thumb on my challenge table. It's simply not possible for me to do 7 good pieces sometimes. Also, posting every day took way too much time to keep up, so I've decided I will be publishing remaining artworks through June continuously.
What I learned during this project of mine? It gave me a better idea about how much time I spend on one piece and what amount of time I waste on post-production. I had to make a few arrangement that hopefully make me more effective today. But mostly, I've tried new subjects that I totally LOVE, mostly architecture and flow
Traditional art contest Unzip Your GenesBe cool. Unzip your genes
What do you think about natural sciences? How do you understand them? What beauty do you find in them? Be crazy and creative, express your thoughts! You can base your entry on realistic illustrations or completely surreal or sci-fiction ideas, deliver them in any style or format, there are no limitations for your imagination or technique as long as it is traditional!
Some amazing examples:
scientists by moussee
Acherontia Atropos by OpacaInside Outside by GenerallySpeaking:thumb330000094:
Mad tentacled Science by ensoulBiology by god-of-insects:thumb192770184:
Deadline: 1st of July
Medium: Traditional art
Number of entries: 2 (you can change them till the deadline). Old deviations are not accepted.
Submission: add a link to this journal in your comments and send me a note with a link or a thumb of your deviation
10 things to do while looking at a photo
Training your eye is very important. To take your photography to the next level and grow as an artist, you need to know what looks good, have an open mind and build your own style.
Point at the first thing that attracts your attention (often being the brightest point in the image)
Try to mentally trace the path your eye takes around the image (it's like connecting the dots in order to discover the story, in this case)
Has the photographer used the rule of thirds? Or a different type of placing the elements in the image?
Has the photographer shot from his eye level? Or chose a different point of view?
What is the photographer trying to transmit with the image?
How has the photographer used the environment to tell the story?
How has the photographer used light?
Why does the image work?
Does the image evoke an emotional response in the viewer's eye?
From the above, which can be appli
Introduction about making handmade booksINTRODUCTION ABOUT BASIC TOOLS TO MAKE HANDMADE BOOKS
Today I'd like to share with you some basic tips if you're interested in making handmade books. I've learned how to do that a few terms ago, at the university. As an art restoring adept I've been through the old, traditional ways of making books and added some modern touches to simplify that. I'm going non-professional so far, without expensive equipment, so if you'd like to give books a try you don't have to invest that much
The first and obvious thing that's needed for our book is paper. At that stage you have to decide what kind of book you'd like to make - you need lined or squared paper for notebooks, journals, cookbooks and basically everything that's meant to write in. Sketchbooks and scrapbooks require nice smooth plain paper and photo albums work best with thick and durable paper. Of course those are basics, you can use decorated paper or one suitable for
Surprise! Let's talk about Feedback Taboos!Hello, everyone!
Surprise, surprise! I'm PizzaPotatoNBacon, and I'm using this tasty article labeled as "Small Surprise #2" to cover an equally surprising topic. A topic so surprising yet so indulging, you'll have no idea why they let an insane person like me write it. Ladies and gentlemen, I introduce you to "Feedback Taboos"!
"What are these so called 'Feedback Taboos?" you are asking.
Giving Feedback on amazing artworks that don't need improvement
Giving Feedback on an art form you're not familiar with
Giving Feedback on Articles And Tutorials
Why are they considered taboos? Because they may seem 1. too hard to do, 2. too far-fetched, or 3. just outright pointless. Sure, not doing these taboos does not seem like a big deal, but it is. They are all helpful in a whole, yet rarely done, if not done at all. Feedback, as long as it's constructive and helpful, is good, regardless of the submission it was made on.
Writing An Artist's StatementCommunity Week
An artist's statement is simply the artist's written description of their own work. It is a verbal representation of the work that the artist does and it is meant to help the viewer glean understanding of it. It aims to inform and connect the viewer with the art. Often gallery owners and teachers will ask for an artist's statement, and it's possible you'll even want to put one up on your website. In any case, you'll most likely need to write one.
Seems easy, right?
Not so much.
Writing an artist's statement can be quite tricky! It can be very difficult to put what you do and why down on paper without it sounding either convoluted or over simplified. In either case, the audience might have trouble understanding the statement.
Example: "The apotropaic quality of the conjoining lines are juxtaposed against the atramentous backdrop in a way such as to give definition to not only the achromatic benevolence of the lines themselves, but to the crepuscular middle ground, with